Live Album Released in 1996
Jubilee
Live at Longyard Hotel, Tamworth
THE BAND
Dobe Newton – Vocals, Whistle, Lagerphone, Bush Percussion | Roger Corbett – Vocals, Bass | Melanie Williamson – Vocals, Guitar, Accordion | Mark Oats – Vocals, Fiddle | Tim Gaze – Vocals, Electric & Acoustic Guitars | Pete Drummond – Vocals, Drums.
SPECIAL GUESTS
Special Guests: Slim Dusty | Lee Kernaghan | Tommy Emmanuel | Graeme Connors | Shanley Del | Broderick Smith | Greg Champion | Ted Egan | Crosby Sisters | Michael Fix | Mark O’Shea.
Record Label
ABC/EMI | Cat# 4892832
Format
Live CD
The track list //
Poor Ned
Flash Jack From Gundagai
When The Rain Tumbles Down In July (Slim Dusty/Lee Kernaghan/Tommy Emmanuel)
Beneath The Southern Cross (Graeme Connors)
Ballad of 1891 (Tommy Emmanuel), Past Carin’ (Shanley Del)
Battlers Ballad (Brod Smith)
Henry’s Men
Woolloomooloo Lair (Greg Champion)
Billy Of Tea (Ted Egan)
Fannie Bay
1-2-3-4 (Crosby Sisters/Michael Fix)
When Brittania Ruled The Waves (Mark O’Shea)
Waltzing Matilda
Ned Kelly’s Tunes.
Video //
1991-2001 gallery
A decade in pictures //
The Golden Gumleaf winner! 2000
Elvis - Northern Daily Leader (Tamworth) 2000
Love line dancing! 2000
Bush Laureate Finalists 2000
Battle of The Bush Ad - Tamworth 2000
Roger article Capital News 1999
Tamworth Opening Concert Ad 1998
Capital News Feature 1998 - page 3
THE BUSHWACKERS STORY
For the record //
There are only a few Australian artists who manage to enjoy an extensive recording career. One reason is the relatively small home market in which locals compete with one another and a huge international catalogue for a share of the consumer’s discretionary music dollar. Another is that it requires a significant amount of luck to maintain positive relations with labels where personnel come and go on a regular basis. The loss of their label ‘champion’ often spells the end of the artist’s relationship.
In the folk (later country) market in which the Bushwackers operate, the numbers are even smaller - about 10% market share by most estimations. The bush music/trad market is a much smaller part of that again. Given that, most Australian artists identifying as folk/roots usually manage just a handful of commercial releases across a career and those often - by necessity, self-funded.
To have managed to release 40+ commercial recordings across a career, all of which have recouped costs for the issuing label, is notable. Indeed unique.
Beginnings
A lot of it was fortuitous - right time, right place, support from ‘believers’ ... But equally it has been a result of an exemplary work ethic and a determination to bring the music to a mass audience, many of whom had had limited if any exposure to it before.
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First recording
By 1974, the band was making regular trips to Sydney. One of their gigs was a regular spot on Channel 9’s Super Flying Fun Show for kids.
Champions
John MacDonald founded the independent Image Music (later Avenue) label in Melbourne in the early 70s with the specific purpose of signing and promoting Australian artist recordings.
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the world stage
By this time the band was again living in London on its second major European tour. They’d made quite a name for themselves in the folk scene and scored a gig on the UK’s biggest folk festival at Cambridge.
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back in the saddle
Over the next few years, core members Rog and Dobe combined a more leisurely live performance sched- ule with family duties and a number of side projects - Rog playing and producing, Dobe heading up state- based music industry associations in WA and Victoria.
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